The best of the rest are earnest but arid acts of homage. If you’ve never seen Krapp before, Rea’s is a serious, finely ...

The star actor returns to the theater where he started almost a half-century ago, with Samuel Beckett’s bleak one-man play.

Rea hits every note. Yet he fails to fully capture the play’s coherent psychological through line Despite the meticulous ...

The actor performs Samuel Beckett’s melancholy solo piece at the York Theatre Royal, where he made his professional debut in 1979 ...

Use precise geolocation data and actively scan device characteristics for identification. This is done to store and access ...

The production marks Oldman's return to the stage after 37 years but ultimately fails to live up to that homecoming ...

It proves a good instinct, Krapp’s words drifting across the intervening years and reminding him – and us – of what that span ...

Back on the stage where he made his theatre debut in 1979, the Slow Horses star pours everything into Beckett’s bleak ...

The production, running until 17 May, marks a homecoming for Oldman, who began his professional acting career at the venue ...

He who takes on Krapp is on stage for just 50 minutes, gets fewer lines than the voice of the tape recording they are listening to, coughs and sighs as much as they speak and must be fascinating ...

Time to record that last tape, to consign life to the dustbin, like the discarded banana skins. A life that has turned to, well, krapp. Oldman, now playing an old man, is full of memories too at ...